Four as One -  Collage

Four as One - Collage

$600.00
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Four as One -  Collage

Four as One - Collage

$600.00

Four As One

Cardboard, Packing Paper, Shredded Junk Mail, Acrylic Paint on canvas.

24" x 24"

$669

Four as One is a wall-mounted collage composed of four cardboard faces arranged in a radiating, cross-like formation against a deep green and rust-toned painted ground. Each face is built from torn cardboard and packing paper, its features formed from creases and tears rather than carved or drawn lines. Strips of shredded junk mail are layered across each face in place of paint or pattern — fragments of mail addressed to someone, intended for someone, discarded by someone, now reused to form a brow, a cheekbone, a mouth.


The four faces are not identical. Each is shaped by its own folds, its own torn edges, its own scattering of color and text. They represent four individuals who have each been through different trials — each carrying their own faults, their own scars, their own particular kind of strength earned through struggle. Positioned facing outward from a shared center, they form a single unit: four directions, one structure, each face supporting the others simply by being part of the whole.


The title speaks to a belief about resilience: that no one carries everything alone, and that the people who have struggled the most often become the ones best equipped to carry others. Four as One is about a kind of chosen unity — not because everyone is the same, but because each person's particular hardship becomes a strength the group can lean on. Together, the four faces suggest that any obstacle, internal or external, becomes survivable when carried collectively rather than alone.


As with all of Craig Davoll's work, every material in Four as One was diverted from the waste stream. The junk mail, the packing paper, the cardboard — these are things meant to be glanced at once and thrown away. Reassembled, they become faces. They become a record of struggle and survival. They become, together, one thing.

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